Implementation of makerspaces in three Icelandic compulsory schools: Praxis and pedagogy, the first steps

Authors

DOI:

https://doi.org/10.24270/netla.2021.9

Keywords:

creativity, makerspaces, emancipatory pedagogy, digital technology, school development, coherence, educamps

Abstract

In the past few decades we have seen huge technological advancements, demographic shifts, economic expansion and profound cultural changes. The generations now growing up have been immersed in digital technology from their birth. We do, in our modern contemporary society, need a shift in education towards teaching and learning, where students are more active and creative participants, having the agency to shape their own learning. This research presents the first year of three in a school development project on implementing makerspaces to support such a shift in three compulsory schools in Reykjavík, the capital city of Iceland: Ingunnarskóli, Selásskóli and Vesturbæjarskóli (2019).

Our study aims to increase understanding of what is needed for the innovation and design thinking of makerspaces to set roots in compulsory school practice and the pedagogies underlying “making” in school contexts. We want to identify characteristic and influential factors in the developmental process during the initial year of collaboration and implementation, as well as mapping how participants look upon and experience the project.

Theoretical background

We build our understanding and interpretation of the findings on theories and research on school and educational development (Fullan, 2019; Gerður G. Óskarsdóttir, 2014; Helga Sigríður Þórsdóttir and Anna Kristín Sigurðardóttir, 2020; Mason, 2008), digital technology and development of fab-labs and makerspaces (Blikstein, 2013; Halverson and Sheridan, 2014; Litts, 2015), creativity (Eisner, 2002), agency (Emirbayer and Mische, 1998; Moore, 2016; Svanborg R. Jónsdóttir og Rósa Gunnarsdóttir, 2017) and emancipatory pedagogy (Svanborg R. Jónsdóttir, 2012; Svanborg R. Jónsdóttir and Rósa Gunnarsdóttir, 2017).

Method

The research is grounded in qualitative methodology, where we seek to gain insight into participants’ attitudes and experiences and connect these to the focus of the research (Creswell, 2013). The research data consists of field notes, interviews with principals, project managers, two teams of teachers in each of the three schools, as well as grant application documents, the schools’ application for funding, a public project website and a Facebook site where staff members share their efforts and experiences in making.

Findings

The findings reflect how we as researchers see or interpret coherent and contradictory factors affecting the process of introduction and initial implementation during the first year of the project. Many different influential factors were at play. Support and interest of principals, proactive efforts of project managers, attitudes, experience and skills of teachers, how the project and its importance was understood, the organization of the school timetable and conversations and solidarity were all issues that appeared to make a difference in the implementation of the makerspaces.

Many steps, actions, attitudes and different roles characterised the project in the first year. Principals and project managers shared a genuine belief in the potential of the developmental project to change teaching approaches towards the needs of modern education by enhancing creativity, supporting technological literacy, integrating knowledge, encouraging teamwork and giving students ample agency. We see the all- female project managers both as “midwives” helping to deliver a precious baby and as “gardeners” sowing seeds and tending to them as they sprout and grow. A key effort in this respect was to conduct educamps for all three schools, twice or three times over each school term.

Some of the teacher teams showed enthusiasm and readiness to embrace the affordances of makerspaces while others were more hesitant or reluctant. Some indicators revealed how the flow of information and conversations between teachers, project managers and principals had not reached all the teaching staff and was seen by some members as a top-down venture. We saw many interesting examples of integrative and creative school projects built on the makerspace approach, both digital productions and hands-on constructions from recyclable or other tangible materials. Our analysis of the pedagogical modes emerging in those projects indicated that they varied from being teacher controlled, to being progressive, involving less teacher control, and even being emancipatory in character with ample student agency and creativity. Many positive steps have been taken in this first year of implementation and this needs to be followed up with constructive conversations and exchanges between all stakeholders to ensure that all elements and factors at work in the project culminate in a momentum coherent enough to move this developmental undertaking in the right direction.

Conclusions

Many positive steps were taken in this first year and they need to be purposefully followed up with constructive and active conversations between stakeholders in order to make the coherence of elements and momentum push in the intended direction.

Author Biographies

Svanborg R. Jónsdóttir

Svanborg Rannveig Jónsdóttir (svanjons@hi.is) is a professor at the University of Iceland School of Education (IUE). She completed a B.Ed. degree at the Iceland University of Education in 1978, an M.A. degree in pedagogy from the University of Iceland and a Ph.D. from the University of Iceland, School of Education in 2011. Her thesis is titled: The location of innovation education in Icelandic compulsory schools. Her research fields are innovation and entrepreneurial education, curriculum development, creativity in education, school change and professional self-study in teacher education

Skúlína Hlíf Kjartansdóttir

Skúlína Hlíf Kjartansdóttir (shk@hi.is) is an adjunct at the University of Iceland School of Education (IUE). She holds a B.Ed. degree, and a diploma in crafts education from the Iceland University of Education, a B.A. degree in 3D Design from Camberwell College of Art and a master’s degree in art / site specific sculpture from Wimbledon College of Art / Kingston University. Skúlína has served as a teacher and manager at primary, lower secondary and upper secondary schools. She is currently studying for a Ph.D. at the University of Iceland. Her teaching and research interests include art & design education, technology education, ICT in education, multimodal literacy, educational policy and practice.

Svala Jónsdóttir

Svala Jónsdóttir (svalaj@hi.is) is an adjunct at the University of Iceland School of Education (IUE). She has a degree from Iceland University of the Arts and a M.A. degree in pedagogy from the University of Iceland / School of Education. She has mainly taught students training to become preschool teachers, now at the University of Iceland / School of Education. Her research field has mainly been nature science and information technology with young children and creative work in schools.

Svava Pétursdóttir

Svava Pétursdóttir (svavap@hi.is) is a lecturer/assistant at the University of Iceland School of Education (IUE). She completed a B.Ed. degree from the Iceland University of Education in 1989 and a doctorate in education from the University of Leeds in 2012. The title of her thesis is: Using information and communication technology in lower secondary science teaching in Iceland. Her research interests are in the field of ICT in education, teachers’ professional development and science education.

Torfi Hjartarson

Torfi Hjartarson (torfi@hi.is) is a lecturer/assistant professor at the University of Iceland School of Education (IUE). His research interests include creative applications of digital media in flexible school practice and the design of learning materials and physical learning environments for project- based work. He started out as a curriculum textbook writer, completed an M.Sc. degree at the University of Oregon in 1991, directed an IT and Media Center at the Iceland University of Education, led the teacher association of that institute and was one of the founding editors of Netla – Online Journal on Pedagogy and Education.

Published

2021-09-21

Issue

Section

Ritrýndar greinar